Sunday, November 24, 2019

Clasical essays

Clasical essays Big band refers to a jazz group of 10 or more musicians, usually featuring at least three trumpets, two or more trombones, four or more saxophones, and a rhythm section of accompanists playing some combination of piano, guitar, bass, and drums. Big-band music as a concept for music fans is identified most with the swing era, though there were large, jazz-oriented dance bands before the swing era of the 1930s and 1940s and large jazz-oriented bands after the swing era. Classification difficulties occur when music stores shelve recordings by all large jazz ensembles as though it were a single style, despite the shifting harmonic and rhythmic approaches employed by new ensembles of similar instrumentation that have formed since the swing era. By lumping the music of all large jazz bands together marketers overlook the different kinds of jazz that large groups have performed: swing (Duke Ellington and Count Basie), bebop (Dizzy Gillespie), cool (Gerry Mulligan, Miles Davis, Shorty Rogers, Gil Evans), hard bop (Gerald Wilson, Charles Mingus), free jazz (some of Sun Ra's work after the l950s) and jazz-rock fusion (Don Ellis's and Maynard Ferguson's groups of the 1970s). Not all of them are swing bands. Many listeners consider big band to denote an idiom, not just an instrumentation. For them, the strategies of arranging and soloing that were established during the 1930s link all large jazz ensembles more than the different rhythmic and harmonic concepts dis- tinguishing those of one era, for example, bebop, from those of another, for example, jazz-rock. Another important consideration that journalists and jazz fans of the 1930s and 1940s drew was the distinction between bands that conveyed the most hard-driving rhythmic qualities and frequent solo improvisations and those that conveyed less pronounced swing feeling and improvisation. The former were called swing bands or hot bands (for example, Count Basie's and Duke Ellington's bands)...

Thursday, November 21, 2019

Unequal Distribution of Property and Factions Research Paper

Unequal Distribution of Property and Factions - Research Paper Example The government must, therefore, protect these rights as they develop on the identified individuals with the abilities and the talents, as the key responsibility of the state is to protect its entire citizen and their wealth (Mill and Ryan, 2006). The government will tend to do this by enacting policies and rules that are geared towards the protection of both talent and ability. Talent and ability are one of the greatest resources of any given country since as the individuals become creative in the efforts to enrich themselves resource wise, they, in turn, lead to the growth and development of the whole country and its inhabitants. It is certain that property in the society is not divided equally and the property that is not divided equally exist in different forms which include the following:- there is the category which involves either land or business property. Some of the property owners in the society own property in form of land and indeed large tracts of the land depending on their ability to acquire the land (Rousseau and Cress, 1987). The other groups in the society own property in form of business ventures and franchises operating them jealously and zealously practices that are normally unfair and unjust. Moreover, it is coupled with a lot of irregularities and unfair practices; some of these practices are either ethical or unethical in nature. The round objective though is one that of acquiring property; hence, protection from the government of the abilities and the talent if called for (Mill and Ryan, 2006). The other reason that individuals in the society own wealth or property in an unequal manner are because of the sole reason that there are many injustices in democratic governments of the day.  Ã‚